How To…. Weave a Natural Birch Bark Firelighter

they burn long and fierce

Apart from making baskets and sheaths out of bark I have been experimenting these last few years with weaving bark into natural firelighters. I came across a post on Bushcraft UK by a member called Woodwalker on these firelighters from 2010 – he called them Woven Kindling.

I have since added spruce resin to mine and liken them more to Natural Frelighters as they burn long and fierce. This is the second part in my two part series on natural firelighters – the first being my post on Birch Bark Fire Fans.

The Birch Bark Firelighter

Removing the bark

If you can find a semi rotten fallen birch log the bark tends to come of easily so just pull of the what you need. If you use semi rotted logs just take a little piece from as many different logs as you can as these logs are home to many different invertebrates.

If the logs are freshly fallen then I use my knife to score out the area I want to cut out (ensure it is a smooth an area as possible). If the bark does not peel off easily I batton it with a small log to loosen everything up before prising it off with my knife. I go into the specifics of removing the bark in more detail in my post on the Birch Bark Fire Fan. The main thing is to take your time when the bark does not come off easily.

Stripping the bark

Once I have my section of bark I will either peel it by hand into strips of about 1 cm in length or if I am feeling the need to be very accurate I will tap my knife into a log and use that as a tool to cut the bark into even strips.

Locking the strands together

1.  To make one firelighter you need four strips of birch bark. I use strips about 30 cm’s in length and 1 or 2 cm’s width.

2.  Fold each strip in half – the folded end is called the closed end and the end with the two tails is called the open end.

3.  Slide one closed end between the open end of another strip so it sticks out by 2 or 3 cm’s. In the picture below in section 3 you can see a T shape is formed.

Folding – Open – Closed

4.  The closed end of a third folded strip is added to the upright part of the initial shape to lock it off.

5. A fourth folded strip is added to the third strip to lock it off and the tails are threaded through the protruding loop of the first strip.

6.  All the strips should now be locked off.

7.  Pull everything in tight.

Locking in

The Four Strand Crown

The firelighter is formed by weaving a Four Strand Crown knot. I have added the arrows to help you visualise what I am doing.  Important – There will be two strips of bark at each open end. Only use the top strip of each open end when you begin the weave

8.  To begin the knot fold one of the strips over. In section 8 I chose to fold the top strip on the left over first.

9.  The strip is folded over to the opposite side.

10.  To secure that strip in place I folded the strip at the top over this first strip to secure it in place.

11.  This top strip (now at the bottom) was secured in place by folding the right hand strip over it.

Four Strand Crown Knot

12.  To secure the fourth strip loosen the first strip slightly so that it forms a small loop by its fold – known as an eye.

13.  Feed the tail of the fourth strip into this eye.

14.  Pull the tail of the fourth strip in tight.

15. Repeat from step 8 to 14 again to form another layer of weave.

Building the layers

Flip the whole piece over and begin the weave on what were the bottom strips. Once you run out of bark to fold over tuck in the ends into a suitable slot or trim them off with your knife.

Repeating on the other side

The Resin

These little firelighters take only a minute or two to make but they can burn for far longer if you add some resin to them. I use spruce resin as it is plentiful here in the UK (again I discuss harvesting resin in my post on the Birch Bark Fire Fan in more detail).

I break of little blobs (it can get messy if the resin is runny) of resin and insert them into the little slots formed by the weave and that is basically it (use as much resin as you can).

Add the magic ingredient

When lit these firelighters burn easily for over 5 minutes so giving you time to build your fire without resorting to using fine tinder and just small twigs. I can easily hold the firelighter for the first minute before it becomes to fierce to hold.

Once it gets going and the resin is well lit then it I go no where near it with my fingers. I like to use them first thing in the morning when I do not want to faff about with collecting tinders and just get a brew on.

Ready to go

I prep mine in the evening while sitting around the fire and pack them away for when I need them. If you are looking for a viable alternative to modern firelighters then these are ideal – if you are always a purist and insist on foraging for your tinders every time you light a fire then maybe they are not for you.

Quick to make and lasts for ages

For those that like a video intead of the step by step I put this short video together to explain the process.

Cheers and happy weaving.

Geprge

How To…. Make A Birch Bark Fire Fan

Ever find yourself relying on using non-natural firelighters a lot due to their convenience? I do as I normally have a lot to organise before courses and using natural methods every time when I have a class can be time consuming when things are damp.

This is the first of two blogs on natural firelighters I like to use and how to make them. I like to prepare them well in advance of trips, pack them away in my bergen and use them instead of the likes of cotton wool and Vaseline (my usual non-natural method).

The Birch Bark Fire Fan

I came across a number of years ago a small section in Ray Mears book Essential Bushcraft on using a Birch bark fan. Ray recommended folding pieces of bark into a fan shape to stop the bark curling up quickly and becoming impossible to handle when it was lit.

I teach this method to my cadets however if I have time I like to add some melted spruce resin to these fans. This really extends the life of the fan giving me a better chance to get my fire going (great for these damp days) and because the resin soon hardens the fans they do not fall apart or deform so much when carried in a bag.

Removing the Bark

If you have a semi rotted birch log then the bark should come off easily however if it is a freshly felled log things may get a little more difficult for you. Here in the UK the birch bark can be quite thin and more difficult to remove than the thicker bark of birch trees you would find in more northern climes.

Mark out the squares

I mark out small squares with my knife and if the bark does not peel off easily I use a small batten to gently hammer the bark. This gentle hammering helps to loosen the inner bark from the sapwood.

Also having a wooden wedge helps to peel the bark of but mostly I tend to just use the curved part of my knife. Some folk say it is better to use the back of the tip of your knife but I find the curved part works well for me. The main thing is to take your time and remove the inner and outer bark from the sap wood.

Tap and Peel

Remove the Inner Bark

When I have removed a small square I gently remove the inner bark. Again do this job slowly removing the inner bark in small pieces. It is very easy when using thin bark to rip the outer bark.

Carefully strip off the inner bark

Folding the Fan

To make your fan start folding your square as if you were making a very small fan – not much more you can say about that 🙂

Fold like a paper fan

Keep a hold on one end and with a strip of bark tie off the other end. They do not take long to make and are soon ready for the resin.

Tie a tail

Spruce resin

Here in the UK a handy and plentiful resource is Spruce resin. There are lots of conifer plantations where I live and a common tree in them is the Spruce. I keep an eye out for areas where the foresters have been using tractors to thin out the spruce as they tend to damage lower branches on trees they pass by.

To help heal itself the trees produce copious amounts of resin and this is full of oils that are flammable. By taking a little from different sites (I use a stick to scrape the resin) I can soon have plenty to melt and coat the Birch bark fans and leave plenty for the trees.

Harvest some resin

I just use a couple of tins (the inner tin has lots of little holes) to melt the resin by my campfire (I have documented this process in How To…. Spruce Pitch in a Tin Can) and dunk the tail of the fan into this hot liquid (good gloves or tongs are required here).

Once the tail is covered I pour some of the resin onto the area of the fan by the tail leaving the top of the fan clear of resin.

Melt, dip and pour

I find this combination works for me as the folds stop the bark from curling straight away and when the flame reaches the resin it burns for far longer.

One excellent fire lighter

I put a little video together on this to show you the process from start to finish.

The next post in this short series will be on making a woven Birch bark firelighter (again with Spruce resin).

Cheers

George

How To…. Make Hot Rock Spruce Pitch

After writing the post How To…. Make Spruce Pitch in a Tin Can I promised I would write up one on making pitch using a more primitive method.

Pitch can be made with many different materials and I have covered some of these in that previous post. On this occasion I used spruce resin, beeswax and charcoal dust. Instead of a nice handy tin to prepare it all though I opted to try this out using more primitive materials: hot rocks. I touched on this method previously in the post How To…. Make a Flint-Tipped Arrow but feel it needs its own stand-alone post.

Hot Rock Pitch
Hot Rock Pitch

I collected a lot of resin from some spruce trees in my local area with the use of a stick as I find that this does not damage the trees as a knife would do. Also I look for areas where the resin has pooled at the base of the tree as you can collect all of this without affecting the tree.

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Spruce Resin

My other ingredients are charcoal dust to give the pitch body (I used the small rock to crush the charcoal) and beeswax to make it flexible. I used the sticks to make the finished pitch stick.

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Preparation

While I was out collecting resin and preparing everything else I had a rock heating up in the fire. I used a rock that had been heated before so I could be sure it would not crack. (If there is any trapped air or moisture in a rock there is a chance it will crack or, in the worst case scenario, explode.)

To handle the rock I used some wooden tongs I had made up (sorry, no photo).

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Hot Rock

The rock I had chosen had a slight hollow in the top surface which I thought would help stop the resin from flowing away instantly as it melted. I dragged the rock to the side of the fire, popped a piece of resin onto it and with a small twig moved it around until it had all melted. Some resin did run off but enough was kept in the hollow for me to use.

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Melting the resin

I then moved the rock onto a piece of curved bark which held some water to act as a coolant as I built up my pitch stick.

Once this was all set up I popped a piece of beeswax into the melted resin and allowed it to mix in (experiment for yourself with ratios).

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Melting the beeswax

Then I sprinkled a good-sized pinch of charcoal dust into the mixture and carried on mixing it up.

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Adding the charcoal dust

As the rock was quite small I could only make a little batch of pitch at a time so it did not take long to all melt and mix together.

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Mix it all up

I used a sliver of wood to scrape the hot, sticky pitch onto a squared-off stick.

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Scrape onto a twig

The pitch you create using this method is a bit lumpy but still perfectly useable. As soon as I had some pitch on the stick I dipped it into the water to cool it down rapidly. This cooling-down process allowed me to use wet fingers to mould the pitch and smooth it out.

I kept repeating this process until all the melted pitch was on the stick and then mixed up another batch.

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Cool rapidly in water

The rock was so hot that I was able to keep melting and mixing the ingredients several times to build up the pitch on the stick.

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Mix more resin, beeswax and charcoal

I found that the curved piece of bark  was very effective for storing water to cool the pitch.

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Scrape onto the twig and cool again

The pitch stick on the right was made using hot rocks and the one on the left using a tin can. The primitive hot rocks method takes longer and produces a coarser pitch but in my opinion was far more satisfying to make.

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Keep repeating until you build your own pitch lollipop

The pitch is great for waterproofing things like sinew on arrows. I prepared a ember stick to help melt the pitch so I could cover the sinew you can see in the picture below.

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Ready to be used

To melt the pitch, simply blow on the ember stick while holding the pitch stick close to it.

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Heat the resin with an ember stick to melt it

Drip the melted pitch onto what you want to cover and with wet fingers spread it around. Keep re-applying more pitch until you are happy everything that needs to be covered is covered. I sometimes re-heat the area I have covered with the ember stick to further smooth it out.

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Drip it onto whatever you want to cover, fill or attach

With a little patience this primitive method can produce some very good pitch. I have seen some master primitive technology craftsmen makes some wonderful pieces with the use of pitch.

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All covered up

I have also made a post showing you how to make pitch in a more modern method using a tin – How To…. Make Spruce Pitch in a Tin Can.

Cheers

George

How To…. Make Spruce Pitch in a Tin Can

I have written various posts now on creating primitive tools and in my article on making arrows I showed you how to make some spruce pitch using hot rocks. This How To…. will lay out all the steps I take to make spruce pitch using tin cans. I find that when I want to make a lot of pitch quickly that this method works well for me however I do appreciate that there are many other methods for making pitch.

The resin produced using this method gives you a much finer pitch than the hot rocks method as you can see in the picture below. The pitch stick on the left was made using the tin method and the smaller rougher pitch stick on the right was made using hot rocks.

I took these pictures while out bushcrafting with my friend Mark Beer in the woods around Silchester in Hampshire (UK)

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Pitch – Using a tin (left) – Using hot rocks (right)

I tend to use spruce resin when making pitch as this is more readily available where I am and do not tend to use pine resin as this is not so readily available to me. I normally use pitch as a filler material, for example, when fitting a flint axe head into its socket or use it as a covering to waterproof rawhide wraps.

The knife below has had the rawhide wrap covered in the fine pitch from the tin method and is very easy to produce. I am sure that with time I would be able to produce fine pitch using hot rocks but as yet I do not have that skill level.

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Spruce Pitch – a wonderful material

I collect spruce resin using a flattened stick and a tin (or plastic bag). I use the stick as it does not damage the tree as a knife tip would do. Also it is a messy job to clean the resin of a knife blade and the stick also saves my fingers becoming covered in resin which can be hard to clean off when you do not have access to hot running water.

I collect the resin wherever possible where branches have been broken off and the tree has excreted the resin to protect the damaged area. I do not clean out all the resin but just take a little from many different sites. If you are lucky enough to find a spot where the resin has flowed away from the damaged area and pooled into a big clump then it is fine to collect it all. A good spruce tree will keep excreting the resin so if you are careful you can return at a later date to harvest more.

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Collecting stick

It did not take long to collect this large tinful of resin as Mark and I managed to find spots where the resin had pooled into large clumps.

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A good haul

To make pitch I use two baked bean style tins with a small improvised colander in one made out of half a beer can with holes punched through the bottom.

The sticks in the picture below are ready for rolling the pitch on to when it is ready. An alternative is to use a stick like elder with the pith taken out and the pitch poured into the cavity, which makes a kind of pencil.

The charcoal and the beeswax are for binding and tempering the pitch to make it strong but flexible.

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Equipment

I packed the colander with resin then set light to it. The disadvantage of this method is that you lose a little of the resin but the big plus is that it melts quickly, collects quite cleanly in the bottom of the tin and leaves the detritus in the colander. Two good friends of mine Mark Oriel and Keith Coleman introduced me to this method: previously I’d just put the resin into a tin, placed it into some embers and scooped out the detritus when it had melted.

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Packing and firing

As the resin burns and melts in the tin I then take the time to crush the charcoal down to fine dust with a small stone. This fine dust acts as a binding agent that the resin can cling to and make the pitch you produce stronger. There are many other materials that you can experiment with as binding material such as ash and rabbit droppings. The Primitive Ways website has an excellent article on making pine pitch using a tin but in a different way and discusses other binding agents.

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Making charcoal powder

Soon all the resin had melted and dripped down into the tin (it looks black from previous pitch making). As the detritus is left in the colander the resin in the tin is very fine, which makes for very smooth pitch.

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Liquid resin and remnants

I tend to put in as much charcoal dust as there is spruce resin and mix it all together while the resin is still hot.

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Add some charcoal

I then added some lumps of beeswax. I have heard some folk say that they put in the same quantities for everything but I usually just put in a small block or two of beeswax. I also use beeswax balsam as this is easy to buy in shops and it seems to work just as well as pure beeswax. Experiment for yourself with quantities to see what works for you.

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Then some beeswax

I then put the tin into the embers of my fire and mix it all up. Watch out that you don’t overheat it as it will froth up and spill over. I normally have some tongs nearby so that I can move the tin around the embers so as to better control the heat.

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Melt and mix

I use the tongs to move the tin out of the embers when all the beeswax has melted and been thoroughly mixed in. The tin will be scorching hot and the liquid pitch will scald you badly if it comes into contact with your skin.

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Remove from heat carefully

I let the pitch cool slightly and so it becomes a little bit  tacky. While it is cooling down I make sure I have a little pot of water ready.

I then put one of the sticks into the mixture and roll it a few times (I try to square off the stick as this helps catching the tacky pitch) until I have some pitch on the stick. I then dunk the stick into the water to rapidly cool the pitch down. The pitch will not dissolve in the water due to the oils, charcoal and beeswax in it and but will bind to the stick.

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Roll and dip

I then repeat the process again and again to build up more layers of pitch on the stick. You will find loose bits of pitch will float in the water so just fish them out and pop them back into the tin and they will melt back into the mixture.

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Roll, dip and wet your fingers

After two or three times doing this you will need to use your fingers to mold the pitch into a tight blob on the end of the stick and also to smooth it out. As the pitch can still be quite warm and sticky you need to keep your fingers wet during this process. If your fingers are dry then the pitch will just stick to them.

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Smooth the hot pitch down

In no time at all you will have a good amount of spruce pitch to help you with making primitive craft items.

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Pitch Sticks

To use a pitch stick I just heat the end of it with a glowing ember until it starts to melt and then drip the liquid pitch onto whatever I am making.

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To use just heat

I have used pitch for waterproofing bindings on arrows.

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Great for arrows

It is also great as a filler as in this small hatchet. I filled the socket with pitch, inserted the flint axe head and then bound it all up with rawhide.

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And great for axes

I have also published an article on making pitch in a primitive fashion using hot rocks instead of a tin – How To…. Make Hot Rock Spruce Pitch.

Cheers

George

How To…. Build a Finnish/Swedish Candle – No chainsaw – Part 1

Spend time on preparing your candle and the payback will be a beautiful column of flame that will captivate any audience.

Read on to see how…………

A favourite evening activity of mine while in the woods is to build a large torch to light up the area around my campsite, and this version has a dual purpose as a handy self-contained stove too.

This type of log stove is commonly referred to as a Swedish Candle in the bushcraft world, but there’s some debate over its origins. Some history I have come across it is that it was used by Finnish soldiers during the winter war of 1939/40 between Finland and the then Soviet Union as a quick way of cooking in deep snow. Soldiers would just ski up to a dead standing piece of wood, cut it to size, split it and put a wedge in the split. After setting a fire in the split they would place their billy can on top to heat up the contents.

In dry arctic environments, dead standing wood does not contain much moisture so catches light easily. In our more maritime environment in the UK we have more moisture in our dead wood so it takes a bit more work to get a fire going. I use a lot of fluffy stuff (eg cotton-grass heads, thistledown or common reed heads), birch bark, spruce or pine resin and anything else I can find to get it going. When you finally succeed though it makes an excellent alternative woodland TV.

On a number of courses I have attended the instructors used chainsaws to make the vertical cuts. This makes the job very easy and you can set up a number of them around the camp quickly.

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Chainsawed Candle (with Halloween pumpkin!)

I do not have the luxury of owning a chainsaw so I had a trawl around You Tube and came across a good video from Hobbexp on making one of these candles without the use of a chainsaw. A link to that video is at the bottom of this post. I took a number of attempts to get a system that works for me but as you can see from the results it is worth it.

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Axed candle

Some of the pictures you can get are quite stunning. This is from my Fire Face collection and I call it the Seahorse.

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Excellent Fire Faces

I typically use a length of well-seasoned birch as my candle but any wood that’s not too hard would work. As I never seem to find the ideal piece of dead standing wood when I need it I always keep a little stock in my store to bring along to camps.
First, split the wood with an axe and a batton. Be very gentle with the first few taps of the batton to make sure the axe does not slip.

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Axe Battoning

Create the first split to a depth of about 50 or 60cms then create another split at 90 degrees to the first. To make the candle stand up, rest it against something that is not flammable (I sometimes use a cooking tripod) or dig it into the ground.

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Batton a cross

Once the candle is in position, add a green wood wedge down each split to keep the four parts of wood separated, then you’re ready to light your candle.

One of the best aids to lighting a fire is resin. I collect it when out and about in conifer plantations, using a flattened stick to prise it off the tree. It makes it much easier and also you do not need to clean your hands or knife so much. Adding lots of resin to the split keeps the initial flame going for longer, giving the wood time to catch.

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Resin is an ideal fire starter for a candle

Here you can see the green wood wedge keeping the split open and the start of the build-up of tinders. Tapping the green wedge in can make the log split a bit more – as you can see here – so be careful that you don’t allow the split to run all the way to the bottom.

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Green wood wedge and some tinder

Here you can see I have placed some resin in the split along with some paper impregnated with pig fat. Keep building up different layers of tinders.

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Build up layers

I started the fire in this candle with only a small amount of tinder at the bottom of the split to demonstrate how poor the flame would be.

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Poor fire from the bottom

The flame was very slow in building up and when I placed small twigs on the top it dampened the flames down. (Instead of small twigs it is better to use dry pine needles as they are very flammable.) Starting the fire at the bottom will work, but you will need to spend far more time tending it; better to start the flame higher up as shown below.

Just remember the saying about the 7 P’s – Prior Preparation and Planning Prevents Pretty Poor Performance. Spend time on preparing your candle and the payback will be a beautiful column of flame that will captivate any audience.

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Slow to build up flame

Here I have built up lots of layers of resin and birch bark and lit the flame from the top. I don’t know the physics of it but if you start your fire at the top and let it burn down through the layers it works much better.

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Lots of layers and start from the top

A well-lit candle now and an ideal place to boil water for a brew.

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Time for a brew

I have gotten some fantastic pictures from these candles.

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Evening flames

Even the embers are beautiful.

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Glowing embers

The beauty of this set up is that if you keep adding tinder, resin and small twigs this candle will last a good couple of hours.

I have been experimenting with a couple of alternative candles today and will post the results of my thoughts on them in Part 2 of this How To…. soon.

Cheers

George

How To…. Build a Finnish/Swedish Candle – Damp/Wet Wood – Part 2

Log Stove video by Fredde (Hobbexp)